The White Lotus and Euphoria’s Sydney Sweeney is FASHION’s Winter 2022 Cover Star
When Sydney Sweeney pops up on my laptop computer display screen with no publicist chaperone tuning in off-camera, I’m shocked. Calling from her L.A. dwelling, the star, who has shot to fame by a string of award-winning sequence, seems at her eating desk wanting approachably glam. An outsized sweatshirt balances her blown-out locks and a hint of smoky eyeliner, remnants of her day spent on a “very enjoyable” check shoot for a top-secret venture.
In stark distinction to the sarcastic depth of Olivia Mossbacher, her character on this 12 months’s juicy HBO hit The White Lotus, Sydney Sweeney is upbeat, easygoing, fast to snort and really forthcoming. And over the course of our chat, I be taught to anticipate the surprising. As an example, when requested about her time in Toronto just a few years in the past to play ill-fated little one bride Eden Spencer in season two of The Handmaid’s Story, she instantly shares her pictures from quite a few visits to Casa Loma. “I really like structure and previous buildings,” she says. “Daily I had off, I’d stroll round on my own whereas listening to the guided audio tour. I’m not the very best at going out to bars and stuff. I really feel actually unhealthy for my associates; they’ve all given up on even inviting me.” Maybe not your typical response from a 24-year-old rising star, however every thing about Sydney Sweeney goes towards kind.
I hope that the totally different characters I play converse to folks on a deeper stage, whether or not it’s by one resolution or one second of their onscreen lives.
And it has for the reason that Washington native acquired her begin within the business. She was 12 when she efficiently pitched her dad and mom a five-year plan through PowerPoint and later nailed her first audition. “My dad and mom are very mental folks, so I assumed, ‘How can I talk on a stage that may make them take me critically?’” she says. Noting that her journey as an adolescent was “very arduous and generally very miserable,” Sweeney was intent on making her tweenage self proud — and he or she has accomplished simply that. She clearly has a knack for portraying younger ladies wrangling with heavy-hitting points corresponding to psychological sickness, sexual assault, abortion and privilege.
Cassie Howard, Sydney Sweeney’s character within the award-winning HBO drama Euphoria, which follows high-school college students coping with medication, intercourse and violence, is a main instance. “It may have been a one-note character: She’s simply the great slut,” factors out Sweeney. “Cassie spoke to me on a distinct stage, so I used to be capable of finding a depth to her. I hope that the totally different characters I play converse to folks on a deeper stage, whether or not it’s by one resolution or one second of their onscreen lives.”
To ship a ultimate efficiency that resonates, Sydney Sweeney creates an interactive character ebook for every function. She fills it with artwork, pictures, stickers and extra to assist her type the visible recollections of a personality from start. The train additionally goals to have a swinging-door impact. “A mentor as soon as instructed me that the healthiest factor to do is separate myself as a lot as potential from the characters I play, since I do, weirdly sufficient, take pleasure in going to the darker locations,” she says. “After which I’m in a position to snap proper out of it as a result of I can separate myself from my characters fully.”
A continuous work schedule has compelled Sweeney to place her entrepreneurship research at UCLA on maintain. “I really like faculty,” she says. “I’d in all probability go for the remainder of my life if I may.” Nonetheless, pursuing greater schooling has already delivered a robust skilled takeaway: “I really feel extra assured in conferences. It’s not that I really like stunning folks with my intelligence, however while you’re sitting in a room with males and rapidly they attempt to discuss over you and also you’re in a position to maintain your floor, you impress them they usually preserve you within the dialog. There’s positively an influence in schooling.”
Private fashion is one other space the place Sweeney is actively honing her abilities. On the purple carpet, she experiments with new types whereas leaning into the vibe of the occasion, character or sequence. For the L.A. premiere of The White Lotus, which was shot in Hawaii, she appeared in a white tea-length Prada gown with a hem of black flowers. In her off-duty hours, Sweeney prioritizes consolation, usually selecting an outsized shirt and boyfriend denims or overalls. “I’ve numerous anxiousness about placing outfits collectively, so I are inclined to lean towards a simple set or a day gown that I don’t have to consider that a lot,” she says. “I can put on it with sneakers or heels and just a little cardigan. It’s versatile.”
However magnificence is a distinct story. Right here, Sydney Sweeney exudes confidence. With steering from Melissa Hernandez, her private make-up artist, and Doniella Davy, the Emmy-winning lead artist on Euphoria, Sweeney has found what works finest for her oily mixture pores and skin that’s susceptible to cystic zits. “Make-up would cut up on my face,” she remembers. “Within the first season, they must take all of it off when lunchtime hit. We began experimenting and realized that it was extra concerning the oils and lotions I used to be utilizing. Skincare is crucial half.” Creating a minimalist method, she finishes her routine with a $17 facial ice curler from Amazon. “I do it each morning,” she says. “I don’t know the scientific info behind it, however placing one thing chilly over my face seals it. Make-up simply sits very nicely, and I really feel I look extra chiselled, too.” She has even dabbled within the TikTok magnificence development of blending eyelash serums. The decision? “It really works! After two months, Donni was like, ‘We don’t should put faux eyelashes on you anymore,’” says Sweeney.
When season two of Euphoria wraps, Sweeney will take her talent of turning 2-D worlds into 3-D experiences to the following stage along with her freshly launched manufacturing firm, Fifty-Fifty Movies. In partnership with Canadian Jean-Marc Vallée, who directed her in Sharp Objects, she’ll be starring in and producing The Gamers Desk for HBO, an adaptation of Jessica Goodman’s debut novel They Want They Had been Us. “After I learn the ebook, I instantly noticed your entire factor in my head,” she says of the YA homicide thriller that takes place at an unique prep faculty. “Being on-set with such extremely gifted filmmakers, and studying from them, has positively sparked that facet of my mind.” Sweeney feels lit up by this contemporary problem as a result of it blends her inventive talent set along with her entrepreneurial yearnings. “I really like constructing my characters a lot; now I need to see if I can construct a complete world,” she says.
Slated to star alongside her finest good friend, musician Halsey, Sweeney finds producing extremely empowering and eye-opening. “Now I perceive how some folks get their names on issues they usually don’t need to do any work — I can’t work like that,” she stresses. “I’ve to place my handprint on a venture as a substitute of simply my identify. I be sure that I do the work.” Genuine feminine dialogue and progressive cinematic types are two of the instruments Sydney Sweeney is getting ready to disrupt the business with. “We’re in an period the place we should always have the ability to skew and mess up how filmmaking is finished,” she says. “Extra folks ought to take that threat of creating attention-grabbing issues to look at.” And we’ll all be tuning in when she does.
Pictures by GREG SWALES. Styling by RAFAEL LINARES. Artistic path by GEORGE ANTONOPOULOS. Hair by BOBBY ELIOT FOR THE WALL GROUP/RENÉ FURTERER. Make-up by MELISSA HERNANDEZ FOR THE WALL GROUP/BOBBI BROWN. Manicure by ZOLA GANZORIGT FOR THE WALL GROUP. Manufacturing by ALEXEY GALETSKIY FOR ACPNYC AND RYAN FAHEY FOR AGPNYC. Manufacturing assistant: SASHA MILOSTNOVA FOR AGPNYC. Photograph assistants: AMANDA YANEZ AND YOLANDA LEANEY. Style assistant: LARRY SIMMONS.
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